Professional Cameras| DJI Store Sofia
Professional Cameras| DJI Store Sofia

Zenmuse X7 Camera (Lens Excluded)
This product is no longer in stock
CP.BX.00000028.01
6958265154713
tax incl.
5 866,00лв. tax incl.
Highlights:
- Inspire 2 compability;
- Super 35 sensor;
- 5.2 Apple ProRes;
- 6K CinemaDNG;
- 14 stops of dynamic range;
- 24 MP stills.
CP.BX.00000028.01
New product
Introducing the DJI Zenmuse X7
The DJI Zenmuse X7 is a compact camera with a Super 35 sensor and an integrated gimbal. It is designed to shoot movies, providing extremely high resolution and image quality. The Zenmuse X7 is compatible with Inspire 2, which raises aerial photography to a new level.
24 MP CMOS sensor with 14 f-stops dynamic range keeps amazing details from the captured image and offers both 6K CinemaDNG and 5.2K Apple ProRes with support for continuous RAW burst shooting at 20 fps and 24 MP stills.
With the X7, we also want to introduce you the DL-Mount, the world's first integrated aerial lens mount, which provides the ability of quickly change the lens.For seamless editing, the new DJI Cinema Color system preserves the right colours, making it easier to post-processing. These innovations allow filmmakers to reach new heights and shoot scenes the way they imagine them.
Engineered for Excellence
The DJI Zenmuse X7 uses the Super 35 sensor and its high reading speed supports RAW at 6K/ 30 frames per second and 3.9K/ 59.94 frames per second. Pixel size reaches 3.91 μm and its diagonal length is 26.6 mm during recording. The sensor with this size offers higher sensitivity to light and 14 f-stops dynamic range - wider than the 12.8 f-stops of the Zenmuse X5S camera.
X7 SNR is 46 dB, with 8 dB more than the X5S, and the tonal range reaches 9.41 bits. All these features offer unlimited creative possibilities for better work in the most demanding situations.
DJI DL-Mount System
Thanks to the new FSI-Cu technology, the X7 camera sensor features thinner interconnection, contributing to better image quality. The new technology allows a more compact mount for the lenses without affecting the image quality.
The sensor distance to the lens mount ring is only 16.84 mm. Thanks to the high integration, the new X7 camera weighs only 630 g with the lens. The DJI Inspire 2 and the X7 weigh a total of about 4 kg and can take photos and videos with the same quality as the much heavier professional drones.
DL-Lenses
DJI offers four prime lenses for the DL-Mount system, with focal lengths ranging from 16-50 mm and resolutions of up to 8K. Made of lightweight carbon fiber and designed by world-leading optics teams, the four lenses have been embedded with advanced technologies crafted specifically for the X7’s high-end image sensor.
More Creative Flexibility
To unlock the full potential of the DJI Zenmuse X7, the image processing system CineCore of DJI Inspire 2 has been upgraded to CineCore 2.1. The X7 can record 6K at 30 frames per second in CinemaDNG and 5.2K at 30 frames per second in Apple ProRes format, providing more post-production options.
The newest EI mode is embedded in CineCore 2.1 and can record high-quality footage with different levels of sensitivity. Additionally, the advanced image processing system reduces the artifacts and noise of the frames, preserving more details while adopting an improved dark level correction system for pro-level cinematic images.
A Game Changer from Shoot to Finish
The new color system consists of a new D-Log curve and a D-Gamut RGB color space. With professional cinematography in mind, the D-Log can encode 15 stops of dynamic range, two stops higher than the Zenmuse X5S. Even in poor light conditions, the X7 can still preserve stunning detail in shadows and highlights, leaving more room for post-production creativity.
D-Gamut covers the entire DCI-P3 color space commonly used in filmmaking. Tailored for aerial cinematography and stills photography,D-Gamut provides larger green tone coverage, delivering beautifulgreen gradation for your shoots.
D-Gamut also offers optimized skin tone adjustment by moving these tones to their most suitable chromaticity, ensuring vivid colors are reflected from every inch of skin. By applying the dedicated 3D-LUTin color grading, skin tones will softly transition, even with wide exposure differences. When designing D-Gamut, we considered manual color grading, preventing skin tones from turning yellow when editing without 3D-LUT or color management.
General | |
---|---|
Name | Zenmuse X7 |
Dimensions | 151×108×132 mm |
Weight | 449 g |
Camera | |
Sensor | Sensor Size (Still): 23.5×15.7 mm Sensor Size (Max video recording area): 23.5×12.5 mm Effective Pixels: 24 MP |
Supported Lenses | DJI DL-S 16mm F2.8 ND ASPH (with lens hood and balancing ring/filter) DJI DL 24mm F2.8 LS ASPH (with lens hood and balancing ring/filter) DJI DL 35mm F2.8 LS ASPH (with lens hood and balancing ring/filter) DJI DL 50mm F2.8 LS ASPH (with lens hood and balancing ring/filter |
Supported micro SD/ SSD Cards | MicroSD (SD / SDHC / SDXC) Max. Capacity: 64 GB, Class 10 or UHS-1 |
Photo Sizes | 3:2, 4:3, 16:9 |
Photo Formats | DJI CINESSD: DNG Micro SD: DNG, JPEG, DNG+JPEG |
Operation Modes | Capture, Record, Playback |
Still Photography Modes | Micro SD: Single Shot, Burst Shooting (3/5/7/10 shots), Auto Exposure Bracketing (3/5 bracketed shots at 0.7 EV bias), Interval SSD: RAW Burst (3/5/7/10/14/∞ frames), up to 20 fps when using RAW Burst (exact quantity is determined by storage card capacity and battery power level) |
Shutter Speed | Electronic Shutter Speed: 1/8000 – 8s Mechanical Shutter Speed: 1/1000 – 8s (DJI DL-S 16mm F2.8 ND ASPH not supported) |
ISO Range | Photo: 100 – 25600 Video: 100 – 1600 (EI mode on); 100 – 6400 (EI mode off) |
Video | |
Video Formats | CINESSD: CinemaDNG, ProRes Micro SD: MOV, MP4 |
Video Resolution | Aspect Ratio 17:9 CinemaDNG 6K: 6016×3200, 23.976/24/25/29.97/30p, 12-bit, full FOV 4K DCI: 4096×2160, 23.976/24/25/29.97/30p, 12-bit, full FOV 3.9K: 3944×2088, 47.95/50/59.94, 12-bit, narrow FOV ProRes 4K DCI: 4096×2160, 23.976/24/25/29.97/30p, 10-bit, HQ, full FOV 2K: 2048×1080, 47.95/50/59.94p, 10-bit, HQ/XQ, narrow FOV H.264 4K DCI: 4096×2160, 24/25/30/48/50/59.94p H.265 4K DCI: 4096×2160, 24/25/30p Aspect Ratio 16:9 CinemaDNG 6K: 5760×3240, 23.976/24/25/29.97/30p, 12-bit, full FOV 4K Ultra HD: 3840×2160, 23.976/24/25/29.97/30p, 12-bit, full FOV 3.7K: 3712×2088, 47.95/50/59.94, 12-bit, narrow FOV ProRes 4K Ultra HD: 3840×2160, 23.976/24/25/29.97p, 10-bit, HQ/XQ, full FOV 2.7K: 2704×1520, 47.95/50/59.94p, 10-bit, HQ, narrow FOV FHD:1920×1080, 47.95/50/59.94p, 10-bit, HQ/XQ, narrow FOV H.264 4K Ultra HD: 3840×2160, 24/25/30/48/50/59.94p 2.7K: 2720×1530, 24/25/30/48/50/59.94p FHD: 1920×1080, 24/25/30/48/50/59.94p HD: 1280×720, 24/25/30/48/50/59.94p H.265 4K Ultra HD: 3840×2160, 24/25/30p 2.7K: 2720×1530, 24/25/30/48/50/59.94p FHD: 1920×1080, 24/25/30/48/50/59.94p HD: 1280×720, 24/25/30/48/50/59.94p Aspect Ratio 2.44:1 ProRes 5.2K: 5280×2160, 23.976/24/25/29.97/30p, 10-bit, HQ, full FOV H.264/H.265 4K Ultra HD: 3840×1572, 30p, full FOV |
Environmental | |
Operating Temperature Range | -4° to 104° F (-20° to 40° C) |
Storage Temperature Range | -4° to 140° F (-20° to 60° C) |
Gimbal | |
Angular Vibration Range | ±0.005° |
Mount | Detachable |
Controllable Range | Tilt: +40° to -125°; Pan: ±300°; Roll: ±20° |
Mechanical Range | Tilt: +50° to -130°; Pan: ±330°; Roll: +90° to -50° |
Max Controllable Speed | Tilt: 180°/s; Roll: 180°/s; Pan: 360°/s |
Camera Features | |
Exposure Mode | Auto, Manual, Shutter Priority, Aperture Priority |
Exposure Compensation | ±3.0 (3 stops of light) |
Metering | Center-weighted metering, Spot metering (12x8 area selection) |
AE Lock | Supported |
White Balance | Auto, Sunny, Cloudy, Incandescent, Neon, Custom (2000K - 10000K) |
Video Caption | Supported |
PAL/NTSC | Supported |
Ultrasonic Dust Removal | Supported |